Christopher Kendall mostly works with photomontage, transfer-printing, painting and photography. However, he does not limit himself to these mediums; previous projects have included a three-dimensional kinetic marble-run sculpture as well as a three-metre-long whale/submarine constructed from upcycled materials.

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By utilising the familiar media platforms of our day-to-day lives, the artist composes recontextualised appropriated material that aims to subvert the machines of predatory corporatism.

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Much of his work is influenced by the essay The Society of the Spectacle (1967) by Guy Debord, a polemical and prescient indictment of our image-saturated consumer culture.

 

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What have you enjoyed most whilst studying at PCA?

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Studying at PCA has given me the opportunity to explore the many disciplines of fine art.

 

What are your future aspirations?

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After graduating I intend to pursue a career as a professional artist - I’m currently applying for artist’ residencies in the UK and abroad.